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Knowing Where You Are

  • Writer: Mika Hadar
    Mika Hadar
  • 16 hours ago
  • 3 min read

Reflections from an Alexander Technique Teachers' Retreat


I have just come out of leading a retreat for Alexander Technique teachers.

After many years of teaching teachers, I continue to be struck by something that sits quietly beneath our profession: a certain uncertainty about how to speak about what we do.

The Alexander Technique is full of concepts that seem familiar on the surface and elusive underneath.

What is the neck?

What is the back?

What is inhibition?

What is Primary Control?

What are directions?

At the retreat, I posed some of these questions to the group. What fascinated me was not the answers themselves, but their variety. Every teacher had a slightly different response. Each answer reflected years of study, training, reading, observation, teaching, and personal experience.

And all of them contained some truth.

This is one of the gifts and one of the challenges of the Alexander Technique.

Much of what we work with cannot be reduced to a simple definition. It lives in experience more than explanation. It resides in relationship more than procedure. It is often found in the spaces between things rather than in the things themselves.

Perhaps that is why people sometimes find it difficult to describe.

The Technique points us towards qualities of organisation, awareness, presence, responsiveness, and relationship. These are living experiences rather than fixed objects. We can point towards them, but we cannot entirely capture them in words.

Yet teachers need something they can stand on.

We need a way to navigate this subtle territory without becoming lost in abstraction.

For me, one answer lies in returning again and again to direct somatic experience and practical anatomy.

At the retreat we spent time exploring the simple fact of our feet meeting the ground. Not as an idea, but as an experience.

We explored the breath canals — the surprisingly long passages through which air travels from the nostrils to the throat. Simply sensing the coolness of the inhalation and the warmth of the exhalation can provide a clearer experience of the base of the skull, and the breath.

We explored what I call residing in the back.

When lying in semi-supine, the back becomes something tangible rather than conceptual. The broad area between the shoulders and the pelvis becomes available to awareness. Not as a structure to be corrected, but as a field of support.

The instruction "let the back lengthen and widen" begins to refer to something clear.

We explored the neck.

As a living junction. A place where the spine continues upward through seven cervical vertebrae and where the head finds its balance. A place through which breath, voice, vision, vestibular information, and movement continually interact.

We explored the shoulder girdle, the scapulae, and the floating architecture of the upper body.

Again and again, we returned to direct experience.

Not because anatomy explains everything.

It doesn't.

But because clear body mapping gives us somewhere to begin.

There is a particular confidence that arises when we know where we are.

Not confidence in the sense of certainty.

Not confidence in having the right answer.

But confidence that comes from inhabiting our own system.

When we can sense the support of the ground, the movement of the breath, the presence of the back, the organisation of the neck, the relationship of the shoulders, something settles.

We no longer need to rely entirely on concepts.

We can rely on experience.

The paradox is that the more familiar we become with our own anatomy and sensory experience, the easier it becomes to enter the less tangible aspects of Alexander's work.

Presence becomes less mysterious.

Direction becomes less abstract.

Primary Control becomes less of a theory and more of a living relationship.

The enigma remains.

Perhaps it should.

But it becomes an enigma we can inhabit rather than merely discuss.

And for me, that is one of the continuing joys of teaching the Alexander Technique teachers.

Not helping them find answers.

Helping them find where they are.



 

 
 
 

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